http://www.bullwhip.org/Bullwhip FAQ - Buying a Whip |
The longer the whip the harder it is to handle properly, but the louder the pop will be. When beginning to learn you should use a whip that isn't too long. 6 foot or less is best, 8 foot is the top end. Beyond that the whip will be unwieldy and you can learn bad habits trying to get it to pop.
As for prices:
"The Art of the Bullwhip" is essential for anyone who appreciates the bullwhip. There are things on that vid that are stupendous! Vince Bruce, Leonard Wheatley, Joyce Rice, and the Bradys are just incredible to watch. The other two vids are good for instruction. Part 1 covers the basics and Part 2 specifically covers four advanced techniques. I did the sound engineering on that vid and I'll be damned if one of those students doesn't look really familiar! ;-)
A whip you probably don't want to use or wont last - $25-$40US
I'm not comfortable with that price range. The whip sold by Dubé and Mark for $40-60 is the absolute minimum which can be used properly. There are whips out there for less, but due to the improper construction, they are not able to be popped properly as they are too light and do not taper. You will probably not be able to learn on one of these.
A good whip - $60-$100US
I haven't seen one for this price range that qualifies as good. Though our mileage probably varies.
Both Mark Allen and Brian Dubé sell a halfway decent American bullwhip that costs around $50. It's not very smooth or accurate, but it's heavy and tapered enough to learn well with. I did. It has the wide, fall that I described which should be trimmed down. And the popper it comes with won't last very long.
A Great whip that will last you for years, $200-$350
Again as mileage (and superlatives) varies, I say $200-350 is a "Very Good" whip. A GREAT whip is handmade to order by a recognized expert (David Morgan, Leonard Wheatley), will probably cost more and will definitely take a long time to order and make. You'll wait for it, but it's worth it if you are really serious.
For more expensive whips, the quality of the braiding and the leather are important, but there other factors: How much 'life' does the whip have? When you hang it from the handle, and then move the handle slightly, how fast and how big is the movement in the popper?
Is the density distribution smooth? Does the weight of the whip decrease smoothly along the length? If it is all concentrated in the handle, or spread evenly along the length, that makes the whip harder to crack. The construction of the belly (the part inside the thong) is really important for this. Good whips have a smaller whip woven inside. Bad whips have rope or even paper inside.
Are the fall and the thong the same width where they meet? If not this interrupts the density distribution.
Finally, how much effort does it take to crack, and how does it feel in my hand? The better the whip, the less effort it takes to crack, and a really fine whip will crack with a very small motion of the hand, provided you get it just right.
"Life" is extremely important in a whip. It is what transfers your intended hand movements out across the whip. It can be viewed as "less life" equals "static interference" on your television. The liveliest whip will broadcast every nuance of your delivery without any loss. A less lively whip will lose a lot in the transmission and accuracy and subtlety will be lost.
I don't know enough about the "belly" to give an opinion, but any whip from a decent whip maker (not mass-produced) will likely have at least one decent, hand-woven belly with proper filling.
Type of leather is up to your personal taste. Most favored seems to be Kangaroo, but well treated Cow is beloved too. I've even held a whip made of Rhinoceros (or was it Hippo? Don't remember now).
So much of whip choice is personal taste. Though in the beginning it's pretty much either (a) ask someone where to buy one, order it, and if you like it Voila! You now have a favorite whip-maker who you will recommend. Or (b) you use someone else's whip and order the same kind.
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